Saturday, November 17, 2012



I measure my faith
mapping
an imperative topography
through disquisition
tongues volatility
contesting end
but soon the lines began
intersecting—reaching
shorter distances until
they became
dots markers references
location— place—
as in: you are
here



Yet no image is decisive
as the fog moves in
and the creek rises
we have our own wounds
in this geography.  At nightfall,
I thought I heard sirens,
the wet streets
my abandoned city
speaking to me
babies contesting for mother’s milk
tongue—a classic love story
two desperate entities
talking in
nonsense rhyme




We have been here before
you and I—but now as day breaks
we are constantly changing I am
reminded of false closure
our best impulses disembodiment
speech through glass throats the light
rises suffering at its roots
opening a window entering your tongue
touching my tongue
tasting the space between words
dimly lit lips lunging
love smothers I am
your blank face
dismantled by clear-cut storytelling




There is a story
I never spoke about with you
come into this cold room closed consciousness a flat blackness
without recordable distances
I was you
earlier tonight a convenient and communicable form anything
to make end occupied
by the questions of light
the long annihilation of another
the procedural grammar of the supernatural
that unbroken thing
limited by the edge of the paper




The quietest and most intimate
grammar is left behind lyrical
disruption a fragmentary belief
shutting the finally struggled out
contemplating the convergence of old forms darkness the disconsolate and powerful
one modality transcending narrative synesthesia its occupant—a life
lived the beautiful
dwell as randomness speaks
the poet unobtrusive echoes
confused by prose
sound converted into image
the self-lunging throat




We have been made a brilliant beginning deception
the darkly autobiographical
ongoing mystery measuring your tongue and my tongue this intensely progressive labor:
we all inhabit we district—elastic surface: delighted
syncopated
a dense juxtaposition of life lived
partially cut open
intimately yelling—shaken vigorously
into writing into vision
the accidents of attention
the sound of falling alone in an open city
|



The collisions of unshackled tongues—bathe language bad mouthing the stutter: compulsively salivating
spasmodically aphonic—catastrophic love
a kiss and what more is there to say
than this:
I hesitated before undressing your hands
on my body followed the sound of birds wings trapped in a narrow chimney
the anticipation made you hold your throat and squeeze wanting to dissolve into noisy dreams far from here and they were here and for a moment uninterrupted constricted endlessly eroticizing ingestion

Wednesday, October 31, 2012


A Final Abstraction

They all go into the dark
With all the old nocturnal smells
Meant to attract attention without eliciting a response
Beginning with consciousness
Preserved as adolescent revolt
Through all accidents of circumstance-
An individual spider web
Where all wars are ready-
Someone turns the page and laughs
The last twist of the knife
Let the dark come upon you
Growing like a tumor

Tuesday, October 30, 2012


Why am I so enamored with myself
particularly an erection
too brutal to waste on romantic love?
It speaks, it moves—
To be able to and not to
do it—
Let us break through
and go there.

Sunday, October 21, 2012


Dear Cut/Throat,

If I could keep her
alert for the swift
interrupted lisp
useless rhyme cluttered
mother’s bitter tongue
episodic heap
language an old house
now a lulling sift
uncorrected script
and you before night
answered other than
poetry uncut
artists continue
their defective re-
cord like the trusting
animals they are
as if beautiful
thing/to discover
this passage follows
a pessimist and
the great sex spiral
enclosing next to
nothing—impossible
yet we stand transfixed
hoping frailty
supreme and the way you
walk and the way you
watch the water’s edge
slowly arriving
that your futile might
hands clapped together
first foot stepping down
hearing/touching/drifts
into the next verse
and sets a slow match
to a mouthful of
phrases old branches
brought down by the same
gesture used for dance!

Saturday, October 13, 2012


Dear Cut/Throat,

Blind idiot you
uninfluential
poet stranger cling
only closer still
to sobbing sonnets
and pendulum dreams
a cavernous house
unfused and defiled
dark deserted womb
speak of reason last
there penned into thought
a tortured body
this freezing weather
love sequestered still
this scene has altered
these enclosing walls
a simple story
unless we are lost
I have learned much in
my life simply called
it the sea alone
a heavy dirty
shirt on the bathroom
basin candle lit
your curled lip slid out
beside my penis hung
down pressing darkness
soft sad derision
for your genial
compassionate scorn
idly frightened we
glide our high spirits
past midnight into
frozen cold poems
the oppressive weight
of barely touching.

Sunday, October 7, 2012


Dear Cut/Throat,

Until you let down
barriers escape
language of yourself
nameless destiny
clouds outline other-
wise concocted skies
pretending body
and brain unbodied
tongues washed and purged shape-
less a published word
than rain against tin
mind filling alone
quite free exalted
before words concerned
stems leaves roots roses
delicately you
diffidently you
we are unraveled
I kiss you as you
pass a crimson tongue
threatening to speak
the anesthetized
man consonant mad
here mourning poems
left to the un-throat
the uncouth truth we
more penitently
worn by young couplets
abandoned bird’s nests
the rest remotely
gendered pretentious
sympathetic drag
throw back your head: yell!
Truculent waltz wake
wanton to protect
a lifetime of song
bemused syllable
at mere sight of you
I pedestrian
flaunting you starling
body translated
you do not catch them
searching a landscape
you never knew what
happened to the dance
collarless wagging
your finger pressed close
pitifully alone

Tuesday, October 2, 2012


Dear Cut/Throat,

To coax language out
of poets is to
rescue and neglect
become the feared shape
a lively terrain
relieved in the blood
made up of despairs
the impossibly
crumbling towers
departed before
the faint, climbing moon
to coax language out
I saw you approach-
ing welcoming me
to interrupted
quiet to the grim
retreating waves with-
out outstanding
virtue and delight.
You slapped my face and
and the melody line
laid tentative smiles
measuring the tread
of the setting sun
and I wonder why
the cold headstone closed
unclothed by each dream
tramples each flower
buried in the mud
announcing spring is
here! Silently look
at me in the same
bed dancing, dancing
surrounded by a
heavy printed scent
metaphor’s descent
and at the moment
of impact we are
composition’s loss